Engagement Guide for The Hula-Hoopin Queen

Jacole Kitchen, Director of The Hula-Hoopin' Queen

Hoops, Heart, and Harlem

Bringing The Hula-Hoopin' Queen to Life with Director Jacole Kitchen

Welcome to The Hula-Hoopin’ Queen! This story celebrates the joy, energy, and sense of community that make 139th Street in Harlem come alive. Director Jacole Kitchen says, "it is set in a very specific location - 139th St, Harlem, New York, between Adam Clayton Powell and Frederick Douglas Blvd. The block itself is as much a character in the play as are the people who inhabit it. The make-up of this block is multigenerational, family, friendship, history, longevity, laughter, and love. This block is the epicenter of the community, and at the center of this community is the hula-hoop." 

At its heart, this play is about connection—between neighbors, between generations, and within ourselves. It's a vibrant reminder of how competition, tradition, and imagination shape our lives and bring us closer together. We hope that as our audience, you can see a bit of yourself, your community, and your story in Kameeka and the other characters in the play.  

What excites Jacole Kitchen most about directing this production is how it captures the universal language of play. The rhythmic swirls of hula-hoops, the clever rhymes, and the lively beats of Harlem create a world where movement and music tell as much of the story as words do. She takes her inspiration from the brilliance of her creative team, from the dazzling hoop choreography to the colorful costumes, the vibrant lighting, and the heartbeat-like sounds of the street. For four weeks of rehearsal, Jacole and the company of over 35 artists have worked to shape the world and story that you'll see today.  

In collaboration with the cast, designers, production team, and crew, Jacole has stewarded a production that pulses with life, joy, and love. We hope this play makes you laugh, moves you, and maybe even inspires you to pick up a hula-hoop to connect or reconnect with your own playful spirit.   

Thank you for joining us, and welcome to the block! Let’s hoop it up! 

Synopsis

The Hula-Hoopin' Queen is a vibrant and heartwarming stage adaptation of Thelma Lynne Godin’s beloved book, brought to life by playwright Gloria Bond Clunie. Set in Harlem, the story follows Kameeka, a determined young girl who dreams of being crowned the undisputed Hula-Hoopin’ Queen of 139th Street. But when she gets caught up in a fierce competition with her friends, she nearly forgets an important responsibility—helping prepare for her neighbor Miz Adeline’s birthday. What unfolds is a joyous celebration of friendship, community, and the intergenerational love that keeps traditions alive.

The production, filled with rhythm, movement, and humor, highlights the importance of perseverance and the special bonds between neighbors. Audiences of all ages will delight in the energy and heart of this fun-filled tale, which emphasizes the importance of family, respect, and having fun together.

Seattle Children’s Theatre’s production runs from February 12 to March 23, 2025, at the Charlotte Martin Theatre. The show is recommended for ages 5 and up and has an approximate runtime of 70 minutes with no intermission.

For those who want to experience the story before seeing it on stage, The Hula-Hoopin’ Queen is also available as a read-aloud video on Storyline Online, narrated by actress Oprah Winfrey. You can watch it here: Storyline Online - The Hula-Hoopin' Queen.

For tickets and additional details, visit Seattle Children's Theatre.

Conversation Starters

Niyah Reid, Kataka Corn and Lexi Warden

Extend the experience using these prompts!

  • The characters in the play share a special bond, like family. Who in your feels like family, even if you're not related?
  • Kameeka pushes herself to win the Hula-Hoopin' Crown. What's a time you set a big challenge for yourself?
  • In The Hula-Hoopin' Queen, many traditions are celebrated. What special traditions do you or your family have? How do these traditions shape your identity?

Meet The Harlem Stars

In the play, The Hula Hoop Girls rhyme about the legendary artists, doctors, and activists who lived in Harlem during the Harlem Renaissance. The Harlem Renaissance, spanning the 1920s and early 1930s, was a period of immense creativity and cultural growth for African Americans. Centered in Harlem, New York, it brought together writers, musicians, artists, and performers to celebrate Black culture. Figures like Langston Hughes, Zora Neale Hurston, Duke Ellington, and Louis Armstrong shaped literature and jazz, while Broadway stars like Florence Mills and Bojangles Robinson made history. Beyond art, the movement fostered pride, confidence, and activism, influencing the Civil Rights Movement and leaving a lasting impact on American culture.

A Word From Our Designers

Lighting the Story

With Light Designer Darren McCroom

Lighting designer Darren McCroom brings the vibrant streets of Harlem to life with warm yellows, soft oranges, and playful blues. His design reflects the energy, competition, and community spirit of the story. Natural daylight tones recreate sunny street scenes, while magical effects like twinkling lights and patterns create whimsical moments. Focused spotlights and dynamic colors light up the hula-hoop competitions—Darren’s favorite part, especially the glowing light-up hula-hoops! Through thoughtful transitions and a mix of vibrant and softer tones, Darren’s lighting captures the joy of childhood, the excitement of competition, and the warmth of family. 

Can you spot the sun moving across the stage as the day turns into afternoon?  

Bringing Harlem to Life

With Scenic Designer Parmida Ziaei

Scenic designer Parmida Ziaei brings the dynamic energy of Harlem to life with a set and prop design that is rich with colorful patterns, playful shapes, and plenty of hoops! Inspired by the 2D hand-drawn illustrations in Vanessa Brantley-Newton’s book, the real-life Harlem neighborhood, and the art of Black artists like Judy Bowman, Parmida’s design feels youthful, imperfect, and full of movement. Her favorite part? The hoops, patterns, and colors that make the set so dynamic and fun! Parmida hopes her design captures the magic of community, joy, and movement and that you’ll feel the fun as soon as you step into the theater. 

Keep an eye out for circles hidden all over the set—can you count them?  

Dressing the Queens

With Costume Designer Danielle Nieves

Costume designer Danielle Nieves creates a colorful, vibrant wardrobe that reflects the joyful, energetic world of Harlem. Inspired by movement, the costumes are designed to allow for maximum "hoop-ography"—glitter, sequins, fringe, and flowing fabrics bring the hula-hoops to life! 

The kids’ costumes celebrate the essence of being 10-year-old hula-hoopers, while the adults’ outfits reflect their unique personalities: Miz Adeline’s fashionista flair, Mama’s elegant practicality (think Claire Huxtable!), and Miss Evelyn’s casual, no-nonsense style. With each character changing costumes multiple times, the designs help show the passage of time and bring the story’s community and intergenerational relationships to life. 

What do the costumes tell you about the characters? 

Catching the Beat

With Sound Designer Eliza Vedar

Sound designer Eliza Vedar brings the vibrant energy of Harlem to life with a rhythmic, musical soundscape. Music is one of the play’s primary languages, moving at a lively tempo of 156 beats per minute. The rhythmic sounds of swiggle, swish, and switch from the girls’ hoops blend with their rapping rhymes, while Portia’s flute becomes an extension of her character, orchestrating the sounds of the street. 

Inspired by the opening sequence of the film In the Heights and Harlem’s dynamic streets, Eliza layers city sounds—car horns, shop bells, and footsteps—into music, transforming the block into a living, breathing world. Keep an ear out for the repeated sound that signals Kameeka’s “hula-hoopin’ itch” and intensifies with her excitement. And listen closely to the special flute moments - fun fact, they're played by Eliza herself on her childhood instrument! Life on 139th Street moves fast, and the rhythm and sounds keep these characters right on beat.  

Hoop Dreams

With Choreographer Arlene Smith

For hoop choreographer Arlene Smith, hula hoops are pure joy—and designing the “hoop-ography” for this play has been a dream come true. Watching the actors, who were new to hooping just months ago, master tricks, invent new moves, and reconnect with their inner child has been the most exciting part of the process. Arlene’s choreography celebrates the playful spirit of the story while accentuating the actors’ amazing work. 

Inspired by years of hooping and the unique connection between hoopers and their hoops, Arlene’s hoop-ography transforms hoops into more than just toys. Keep an eye out for the characters’ imaginative uses of their hoops—sometimes, a hoop isn’t just a hoop! Arlene hopes this play inspires you to move, groove, and maybe even pick up a hoop yourself. Remember: everyone starts as a beginner, and the most important part of hooping is having fun! If you’re smiling, you’re doing it right. 

Step around the corner and try out your tricks!