Johamy (she/her) is an award-winning director and a 25-year veteran of Theatre for Young Audiences. She has held leadership roles with Seattle Children's Theatre since 2019 and has served as a Trustee for Red Eagle Soaring and Theatre Communication Group. Johamy previously served as the Education Director for Creede Repertory and directed the Comparative Arts Department at Interlochen Center for the Arts. Her artistry and teachings have taken her to South Africa, Mexico, and India with the U.S. State Department. Johamy holds an MFA from the Ohio State University, with a specialization in devising new works and a BA in Theatre from San Diego State University.

Ian Bond (he/him) is a Seattle-based storyteller. At SCT, he most recently choreographed Luchadora! He has also fight and intimacy directed for the 5th Avenue Theatre, Seattle Rep, Village Theatre, The Seagull Project, University of Washington, Washington Ensemble, Sound Theatre, Taproot Theatre, Seattle Pacific University, Book-It Repertory, Seattle Shakespeare, ACT Theatre, and Union Arts Center. As an actor, Ian recently performed as Jonathan in The Play That Goes Wrong (Seattle Rep/Portland Center Stage). Ian is a co-founder of PNW Theatrical Intimacy, a member of Intimacy Director and Coordinators, educator, and a motion capture artist ("Ghost of Tsushima," "Ghost of Yotei.")

Parmida Ziaei (she/her) is an Iranian multidisciplinary artist, designer, and co-founder of Seda Iranian Theatre Ensemble. She has contributed to a diverse range of interior, architectural, immersive, and entertainment projects, and has worked as a scenic and production designer with numerous Seattle theatres, including Seattle Children's Theatre (The Hula-Hoopin' Queen), Union Arts Center, The 5th Avenue Theatre, Seattle Repertory Theatre, Village Theatre, and Seattle Public Theater. In addition to her design practice, she performs, choreographs, and teaches as a movement artist. parmidaziaei.com | @parmidaziaei

Anna (she/they) is thrilled to be co-designing her first production at SCT! A Seattle-based artist, they have worked in local theater as a costume designer, wardrobe manager, dresser, stitcher, educator, and costumer-of-all-trades. By day, they build costumes in SCT's shop as charge fabricator. In her spare time, she moonlights as an award-winning cosplayer. Previous designs include Last Days of the Tsars (Witness Immersive), Romeo and Juliet (Seattle Shakespeare Company touring production), and Sagittarius Ponderosa (Albatross Theater Lab).

In her 20 year career, Janessa Jayne Styck (she/her) has designed costumes for over 100 productions of stage and screen. A mid-west native, Styck attended Illinois Wesleyan University. She graduated in 2006 and relocated to Seattle where she began designing for Pacific Northwest theatres. 2010 saw her first venture into film. Styck's first feature film, "The Gamers: Hands of Fate," debuted at GenCon 2013 in Indianapolis, IN and took home the prize for Best Feature Film. Styck continues to expand her career. Most recently she has entered the commercial industry, working with major brands including ASICS, Microsoft, New Balance, and Amazon.

Andrew (he/him) is thrilled to return to Seattle Children's Theatre with Robin Hood. He believes in the power of theatre to humanize, empathize, and understand one another, no matter how we arrived here. Nationally: Arizona Theatre Company, Indiana Repertory Theatre, Pittsburgh Public Theatre, Cornerstone Theatre Company, Flint Youth Theatre, & Cincinnati Shakespeare Company. Seattle: Seattle Repertory Theater, ACT, Book-It Repertory Theatre, Seattle Shakespeare Company, New Century Theatre Company, Washington Ensemble, Azeotrope, Strawberry Theatre Workshop, Seattle Public Theatre, Theater Off Jackson, ArtsWest, & On The Boards. BA from Duke University and MFA from University of Washington. All love to the Smush clan.

Natalie Mayo (she/her) comes from a small town in Texas. After graduating from Texas Tech University with a Bachelor's degree in Theatre and a minor in Music, Natalie spent time in various jobs in Texas, Colorado, New Mexico, Wisconsin, and on the road. She has experience in stage management, audio engineering, safety, and production management. She's currently based in Madison, WI where she works at the University of Wisconsin-Madison. Natalie has previously worked with SCT as the sound designer for Luchadora! and The Snow Queen. She's excited to be back for Robin Hood!

Melissa Y. Hamasaki (she/her) is pleased to return to SCT! Favorite credits include: The Women, The Ramayana, Intimate Exchanges, Assisted Living (ACT); Waitress, Memphis (5th Avenue Theatre); The Heart Sellers, Primary Trust (Seattle Rep); Carmen, Tales of Hoffman (Seattle Opera); The Thin Place (Intiman); Of Mice and Men (Arena Stage, DC). She is a Seattle Public Theatre Board Member and a proud AEA member. Many thanks to the Phinn Support Team. Kim and Linda Vacchiery — thanks for letting me tag along. Training: Allen Lee Hughes Stage Management Fellow at Arena Stage, Washington, DC; Technical Apprentice, Santa Fe Opera, NM.

Liz (she/her) is a Seattle-local stage manager and theatre artist who grew up attending shows at SCT. She is so pleased to return for this show. Previous SCT credits include The Lamp Is The Moon, Carmela Full of Wishes, Luchadora!, and The Snow Queen. Other stage management and backstage credits include work with Seattle Rep (As You Like It, The Winter's Tale, Mr. Dickens and His Carol, The Tempest), ACT (Shrew,The Lehman Trilogy, POTUS), Seattle Shakespeare Company (Drum & Colours, Twelfth Night the Musical), 5th Avenue Theatre (Afterwords), 14/48 Projects, and others.